Landscape as a Form of Knowledge

Working primarily in black and white, I create layered acrylic paintings that are then sewn through by hand with thread. The works are meditations on time, repetition, and the fragile structures of daily life. Each painting builds slowly through process, an accumulation of marks, gestures, and threads that mirror the habits, rituals, and obsessions that shape human experience.

My practice is deeply informed by her intercultural life and residencies abroad, drawing connections between memory, identity, and the physical traces left behind by routine. In Landscape as a Form of Knowledge, landscapes become less about external scenery and more about interior terrains or maps of thought, action, and persistence.

I am interested in how repetition and obsession reveal something fundamental about human survival. The stitched threads and painted layers embody the tension between fragility and endurance. Each piece is both an object and a record of time lived.